Poetic Realism·Spatial Metaphor·Humanistic Philosophical Reflections
ZHANG Yuhan
LIN Meng
Abstract：This paper explores the"Tibetan New Wave"cinema in the 21st century.Firstly,from the perspective of narrative aesthetics,it analyzes the innovation of its creative mode and the localized presentation of ethnic images.Secondly,from the perspective of spatial aesthetics,it sorts out the unique regional writing of Tibetan cinema in three aspects:geographical space,family space and spiritual space.Finally,it analyzes the ingenuity of the creators from the thematic conception.Faced with the impact of modern civilization and cultural anxiety,directors of the"Tibetan New Wave"strive to achieve an aesthetic breakthrough in their creations,which is not only a reflection on the inheritance of their own national culture but also a confident adherence to national culture in the context of globalization.
Keywords："Tibetan New Wave"narrative aestheticsspatial aestheticshumanistic philosophical reflections
Publication Date：2026-01-20
Online Publishing Date：2026-01-19(First online date of this platform, not the publication date of the document)
Pages：5( 105-109 )